03/15/09
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danielle
03/15/09
Slug Sex
I promise this is worth watching. Most beautiful sex around.
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elvia
03/12/09
website wuz hacked! cool.
srry yr post is gone T. try again.
Actionist Respoke / Passivist Destroke (2001) experimental sound interface for Mouse On Mars cooperation with Michael Janoschek
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elvia
03/11/09
Hoist
there are some NICE THINGS at THIS PLACE
i think THIS GUY is gr8
i finally met THIS GUY:
and yesterday i went to see a movie about matthew barney. i'm worried because i don't want to make art out of semen ever but it sort of seems like the thing to do.
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tally
03/11/09
FALL 08 "ontes.doc"
Morality of good will Disiniterested approval Sublime / beautiful Naked/ nude Heternonimous/ bourgeois Election sign of compromise Value- art books paintings b/c they signal autonomy uniq or some kind of distance- Yet-market subsumes No market profit Two possible chanells- political art/ youthness- Traumatized- autonomous productive activity- Tune in turn on drop out Brogoius taste/ Arrays of taste and attention Limited quantities/ market Editing process and mediation- Through a re account Authenticity- reediting- Genuwine Situation you encounter b-4 taking it up.
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tally
03/10/09
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elvia
03/09/09
Las Pozas
i will go here someday. pictures from my friend hector.
http://en.wikipedia.org/wiki/Edward_James
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homer
03/09/09
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elvia
03/08/09
art leisure
" "Culture" is not something I want left solely in the hands of the professional class, the experts. I have found, unfortunately, that I often have to out-snob the snobs, those who share a deeply intellectual/theoretical fundamentalist bias against vernacular cultures, and who believe that specialized and highly refined forms of discourse/activity are the most valuable. Despite the rhetoric around the collapse of distinctions between high/low culture, it's clear to me that there really isn't a level playing field. In the art world it's fine to draw on low culture, to "elevate" it into the high art arena, but show me where in the pages of ArtForum anyone is writing about sidewalk art fairs rather than the global art market fairs. I wish there was a little more honesty around all of this - pop/vernacular culture is only legitimate if it is dressed up in the jargon or ironic posturing of the professional/academic art world. For instance, I was asked to be the judge in a pumpkin carving contest and I've been asked to give talks at universities, I view them as equal honors, the latter is acceptable for the vitae while the pumpkin carving thing is really just "slumming" it in the eyes of the academy. I find the divisions to be deeply entrenched, with biases pervasive despite all the lip service to more pluralistic visions. "
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pg 36 of 37
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